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Alisha Sett

Writer

London/Mumbai

Alisha Sett

a select portfolio of published writing

Featured

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William Gedney in India: Too Loud a Solitude

A review of the first exhibition in the world to focus solely on the American photographer's time in India.
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What Lies Behind the Blue Door

Some of Bombay's most prominent artists come together to open a new art space - in Mankhurd.
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The Draughtsman and the Painter

A review of Life in the Deep, an exhibition bringing together K. Chakravartty and K. Ramanujam.
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The Legacy of Indian Photojournalism

A review of The Deepak Puri Collection, one of Asia's most precious photo archives.
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Frédéric Lecloux's Nepal: For no reason at all

Lecloux's photographs of the most quiet and quotidian scenes in Nepal are epiphanic.
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Interview: Sarker Protick, The Outer World

Protick is perhaps the most widely exhibited photographer from Bangladesh in 2014-2015.
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A Long Winter

A friendship in another time and land is remembered.
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Let There Be Light: A Review of Photo Kathmandu 2015

Public engagement through photography is exemplified at one of Asia's newest festivals.
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Interview: Ian Teh on China's Massive Changes Chronicled Over 15 Years

Photographer Ian Teh on the Red Dragon’s exploding industry and environmental deathscapes.
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The Collaborator as Documentarian

A review of Gauri Gill's latest solo exhibition in Mumbai - The Mark on the Wall.
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Interview: Sudarshan Shetty, Making It New

A conversation with the renowned artist and curator of Kochi Biennale 2016.
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Marrying Brass and Stone

At the Devrai Art Village in Panchgani, a small group of artisans are patenting a new form of dhokra.

About

Alisha Sett

Sett is a freelance writer currently based in London. She is a postgraduate student with Professor Julian Stallabrass at the Courtauld Institute of Art pursuing an MA in History of Art. Her research focuses on documentary photography, film and video in global contemporary art. She is the Director and co-founder of Kashmir Photo Collective.